Untitled Because
by John Berry
It somehow seems pointless to finish
the poem I started
so Scraps of America fizzles
in a document file
waiting for me to finish my thought
waiting for me to spell frustration
with sharp jagged letters,
point a sardonic finger with the spacing of words,
sling barbs and darts in a caustic hail of imagery, simile, metaphors
of disgust
for the ignorance
of them, but not us,
for the fear that drives
fervor and hatred as if it was new
for the scraps of a country I saw in a box
in a stairwell closet with courage and justice
liberty draped shapeless and shunned on a hanger.
I visited the file today,
stared down the bogeymen of children’s dreams
spread times roman salve on a festering wound
which will not heal
has no conclusion
no graceful way to end.
Bio:: John Berry’s work has been published in Vox Poetica, The Yellow Chair Review and Disorder, a Red Dashboard publication. A self-taught woodworker, carpentry contractor and promoter of all things poetry, he writes and works from his Winchester Virginia home with his beloved wife Brenda and their two yorkies, Molly and Lily.
It Begins
by Marilyn Stearns
I stand tall, ready.
My breath is low, slow, relaxed.
My body lifts
and opens within, as
strong muscles squeeze
below the lungs
to steadily release
the stream
of air moving past
pulsing vocal chords
then spinning within
the mask's
open pockets
passing vibrating,
welcoming lips.
Now, freed forever
and born in song.
Eruptions
by Marilyn Stearns
I come to poetry in search of
meaning born of truth
woven to new majesty.
Some makes me calm, informed,
see new beauty, caress,
search my inner self.
Other poems can plunge me
near choking, astonished, down
to the depths of startling
possibility, from bog static to
volcanic overflow. Raw phrases
of chance, sex, madness,
disaster, portent, insanity
thrust me down into the hate,
the mud, the slaughter, the bad luck on the path
of human earthy mess and pain.
I accept the surprise,
the message, the force,
the whole journey.
I accept it all.
Bio:Marilyn Tarpy Stearns has been a musician for most of her life and came to writing poetry relatively late. She graduated from Mount Holyoke College and recently received an MFA in poetry from West Virginia Wesleyan College. Through her exploration of poetic literature and forms as well as her experiences and travels, her words speak to who she is and is becoming. She has three children and five grandchildren and lives in Winchester, Virginia.
I Love Art
--for my friends, Susan Ramenofsky and Judy Rogers
by Bonnie Amesquita
I love art
if only because
nights really are sapphire blue
and shtetls and red flames
fiddlers and doves come alive
in colored cut glass
the sky melts easily
into lavender and blue water
if you let the light take over
and white gold galaxies do
swirl and shimmer
above sleeping towns
where painted women
at local bars
glow under green gaslight
and lonely nighthawks gather
for coffee in yellow-lit diners
hours before dawn
I love art
if only because
brown clay when bronzed
can change a paunchy old man
into a mighty
rooted force
and turn a woman sleeping
on a park bench
to silver.
Bio: Bonnie Amesquita grew up in Illinois and Connecticut. She attended Joliet Junior College and College of St. Francis in Joliet, IL, earning her bachelor’s degree in English in 1983. She then enrolled in the master’s program in English at Northern Illinois University (NIU), earning her M.A. in 1989. That same year, she became an English instructor at NIU. In 2009, the NIU English department awarded her their Excellence in Teaching award. Upon retirement from NIU in 2009, she entered Chicago Theological Seminary, where she earned a Certificate of Theological Studies in 2010. She is currently a writing consultant in NIU’s University Writing Center. She and her husband Ric live in DeKalb, IL.